Techniques From Songs: Minor Line Cliche（艾怡良 (Eve Ai) - 無數個我 (The Unrecognized)）

這次要延續上次的話題，跟大家聊聊艾怡良的無數個我的和弦進行。還沒聽過的人，請先點一下傳送門（Cover / 原曲）！

有太多地方可以講了，我們就挑前奏的部分來討論一下就好了吧！

相信應該很多人都有看過007系列電影吧？不知道有沒有發現片頭曲跟這首個的和弦進行有點相似之處？

這一段和弦進行是小調Line Cliche的著名範圍，而這首歌的和弦進行應該就是以小調Line Cliche為基礎來做變化！Line Cliche基本上是針對同一個和弦的某一個聲部移動，來達到變化的效果。

像是007的範例，就是針對了Fm和弦的五度做半音的移動。

而這首無數個我也是類似的案例。

作曲者一樣針對Fm和弦的五度做變化，只是他的變化是5, #5, b7, 6，而進入到6時，他改以Bb7和弦來搭配，而不是繼續留在Fm和弦。

一樣類似的手法，也可以用在大調，聽聽看90年代情歌金曲Kiss Me的前奏跟主歌！

下次也在自己的歌曲裡面用用看這樣的手法吧！

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If you haven't heard this song, please check it out first! (Cover / Original)

Before we talk about the intro of this song, I believe most of you have heard the theme of 007 series.Did you find that it sounds familiar with this song?

The chord progression of 007 theme is a well-known example for minor line cliche! Line Cliche basically means to move one note of a chord in stepwise to create a motion in static chord progression.

Like in 007 theme, the 5th of Fm moves to #5 and 6.

The song “The Unrecognized” is a similar example.

The song-writer also moves the 5th of Fm, but it moves to #5, b7, 6. While it moves to 6, the chord changes to Bb7, instead of stay in Fm.

It could also be applied to major chord progression. Let’s listen to the 90’s hit Kiss Me as an example.

Try to use line cliche in your song, too!