這次Techniques From Songs要延續「彭佳慧的關你屁事啊」利用第一段Rap的電吉他樂句，來講一下「樂句的細節」。
首先在第一小節第三、四拍，及延續到第二小節第一拍的四個音，單看音就是G#、G#、D#、D#，但是他在第一與最後一個音前面加上滑音，讓重複的音聽起來更有味道。
再來是在第二小節最後一拍的三個音，可以視為他在接近第三小節前的裝飾音，這種裝飾音有點像是發語詞的功用，其實不彈也沒什麼關係，但有彈感覺的確不一樣。
最後是，第四小節第二拍的還原G這個音。這一小段句子基本上都是在E大調，除了這個音。順著前兩個音往下多滑了半音到這裡。相對於C#7這是一個b5跟接著的#D跟B行成了短暫的增和弦，增加了一點刺激。
大家可以試著看一下譜，再一邊聽一次，看看能不能注意到我說的那些細節。接著，也在影片中附上的Loop，跟著試試吧！
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This time in Techniques From song, we are going to talk about the detail inside the electric guitar riff in Julia Peng’s None of your business.
In the 3rd, 4th beat of the 1st bar and 1st beat of 2nd bar, there are 4 notes which are G#, G#, D#, D#. The guitarist slides into the 1st and 4th note, which gives the same note different feel.
The group of notes in the 4th beat of the 2nd bar can be deemed ornament. It is like an auxiliary word, which doesn’t really mean something. It’s alright to not play those notes, but it really feels different if you do so.
大家可以試著看一下譜，再一邊聽一次，看看能不能注意到我說的那些細節。接著，也在影片中附上的Loop，跟著試試吧！
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This time in Techniques From song, we are going to talk about the detail inside the electric guitar riff in Julia Peng’s None of your business.
In the 3rd, 4th beat of the 1st bar and 1st beat of 2nd bar, there are 4 notes which are G#, G#, D#, D#. The guitarist slides into the 1st and 4th note, which gives the same note different feel.
The group of notes in the 4th beat of the 2nd bar can be deemed ornament. It is like an auxiliary word, which doesn’t really mean something. It’s alright to not play those notes, but it really feels different if you do so.
There is a G note in the 2nd beat of the 4th bar, a note that is not in the key of E. After previous two defending note, the guitarist went one more half step to G. In a C#7 chord, it is a b5 and forms a augmented chord with the following D# and B note.
Try to follow the chart and listen to the fill one more time, to see if you can notice these thing! Also, try it out with the loop in the video.
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